Showing posts with label education. Show all posts
Showing posts with label education. Show all posts

Friday, 29 December 2017

Conversations with a 5 year old - Trains and death


We’re at the train station of a former DDR town with time to spare before our connection arrives. A few steps outside the fence gate stands a black-varnished antique steam locomotive, built in the 1920’s, according to an inbuilt inscription. The last time it moved people from here to there was in the 60s’. It was then retired and placed on a pedestal to remind passers-by of the remarkable strides of technology since the dawning of the industrial revolution. My son likes trains so we naturally gravitate towards this fossil of a not so distant era.

- Dad, is this an old train?
- Yup.
- How old?
- It says here it’s about 100 years old.
I know he gets that. Anything above is just ‘hundreds and hundreds’.
He’s clearly impressed so I press on, “and you want to know something cool? This train can move without electricity. See this door?” I point to the front of the boiler; “You can put wood in there and make a fire. This train also had a lot of water in it and it boiled when you made a fire. Hot steam then came out and made these things move”, I show him the pistons, ”can you see where they are connected?”
- The wheels!
- Yup, they push the wheels and make them go round, so the train moves.
- Cooool. and can it go very, very fast?
- Not very fast. The ICE is much faster. This train is quite old and we don’t use it anymore.
He takes a good look at the train.
- And what will happen to it when it is older?
- Well, it will probably stay here for some years and then it will be gone.
- Why will it be gone?
- Because things don’t stay forever as they are, they change. See these houses? A long time from now they will be gone too, and maybe other new houses will be there.
- Our house too?
- Yup, our house too, but not for a long time.
- And you and mama too?
- Yup, mama and I too.
- And Mina (his sister) and I too?
- Yes, you too, but not for a very long time. Nothing lasts forever but it’s not something to worry about because you will have all the time in the world to play with your friends and laugh and make new cool things and have lots and lots of fun!
- Why?
- Well, you see, everything is made up of these really tiny lego blocks. They're not really lego blocks, but they are very similar. We call them atoms. This train here, touch it, it’s hard right? It’s made up of special lego blocks that are quite hard when put together. They are called metals. Now touch my hand, it’s soft, right? These are a different special type of lego block and you can put many of them together and they make up all living things, like me and you and animals and trees and so on.
- And houses?
- Nope, houses are not alive. They don’t eat and drink, and they don’t do kaka and pipi.
The laughter eventually subsides.
- And you see, what happens with all things when they are very, very old, the lego blocks that make them up are taken apart and something new can be built. So maybe some of the lego blocks that now make up papa or mama or Albert will be used to make a cool new flower or a tree or another person or something else. Like when you take your lego spaceship apart and build something else with the bricks.
- And what happens then?
My partner now picks up the baton,
- Well, in the end we all go back to the stars. That’s where all the lego blocks come from. And that’s pretty cool isn’t it?

And there’s that smile again.

Wednesday, 4 February 2015

Γράμμα του Καμύ στο δάσκαλό του

Ό Καμύ δέν είχε καν κλείσει το πρώτο του έτος όταν η οικογένειά του έμαθε οτι ο πατέρας του έπεσε στο πεδίο της μάχης στον Ά Παγκόσμιο. Αυτός και ο αδελφός του ανατράφηκαν απο την αναλφάβητη και σχεδόν κωφή μητέρα τους και τη δεσποτική γιαγιά τους, δίχως μεγάλες προοπτικές για το μέλλον.

Ώς απόδειξη για το τί μπορεί να συμβεί όταν η εκπαίδευση πραγματώνει την ύψιστη δυνατότητά της να εξευγενίζει το ανθρώπινο πνεύμα, ένας δάσκαλος ονόματι Louis Germain αναγνώρισε στο νεαρό Άλμπερτ κάτι ιδιαίτερο και ανέλαβε να τον διαπαιδαγωγήσει. Κάτω απ το φτερό αυτού του δασκάλου ο μικρός ξεπέρασε τους φραγμούς που του είχε θέσει η ζωή και άρχισε να δουλεύει τη σκέψη του.

30 χρόνια αργότερα, ο Καμύ έγινε ο δεύτερος νεότερος αποδέκτης του βραβείου Νόμπελ Λογοτεχνίας για την 'οξυδερκή ειλικρίνεια' του έργου του που 'φωτίζει τα προβληματα της ανθρώπινης συνείδησης'. Στις 19 Νοεμβρίου 1957, λίγες μέρες μόνο μετά την απονομή, ο Καμύ έγραψε το ακόλουθο γράμμα στο δάσκαλό του

19 Νοεμβρίου, 1957
Αγαπητέ κ. Germain,
Άφησα το θόρυβο γύρω μου να καταλαγιάσει λίγο, πριν σας απευθυνθώ από τα βάθη της καρδιάς μου. Mόλις μου δόθηκε μια πολύ μεγάλη τιμή που ούτε περίμενα, ούτε επεδίωξα.
Σάν άκουσα την είδηση, η πρώτη μου σκέψη μετά τη μητέρα μου ήσασταν εσείς. Χωρίς εσάς, χωρίς το χέρι που στοργικά απλώσατε στο φτωχό παιδί που ήμουν τότε, χωρίς τη διδασκαλία και το παράδειγμά σας, τίποτα από όλα αυτά δεν θα είχε συμβεί.
Δεν με ενδιαφέρουν πολύ τέτοιες τιμές. Μου δίνεται όμως τουλάχιστον η ευκαιρία να σας πω τι υπήρξατε και εξακολουθείτε να είστε για μένα, και να σας διαβεβαιώσω ότι οι προσπάθειές σας, το γενναιόδωρο απο καρδίας έργο σας, εξακολουθούν να ζουν σε έναν από τα μικρά σχολιαρόπαιδά σας που παρά τα χρόνια, δεν έπαψε ποτέ να είναι ευγνώμων μαθητής σας.
Σας αγκαλιάζω με όλη την καρδιά μου,
Albert Camus

Friday, 2 July 2010

Kids and Digital Media

The prophets of doom are at it again with renewed fervour.

"PHANTOMS" who trawl the internet are the greatest threat to our children, says best-selling author Jilliane Hoffman.

Every so often we encounter horror stories about the corrupting influence these uncontrollable new Digital Media have on today's innocent youth. Fear mongering at it's most exquisite.
Everything Bad is Good for You approaches the taboos associated with the transition to the digital age from a humorous, refreshingly honest, if slightly biased (the author is a devout gamer), perspective but it is  also instructive to have a look at the summary of findings from the Digital Youth project.

"Kids' Informal Learning with Digital Media: An Ethnographic Investigation of Innovative Knowledge Cultures" is a three-year collaborative project funded by the John D. and Catherine T. MacArthur Foundation. Carried out by researchers at the University of Southern California and University of California, Berkeley, the digital youth project explores how kids use digital media in their everyday lives
 In their summary they state:

The digital world is creating new opportunities for
youth to grapple with social norms, explore interests,
develop technical skills, and experiment with new forms
of self-expression. These activities have captured teens’
attention because they provide avenues for extending
social worlds, self-directed learning, and independence.
Specifically, they stress:

Most youth use online networks to extend the friendships that they navigate in the familiar contexts of school ...  youth also use the online world to explore interests and find information that goes beyond what they have access to at school or in their local community ... youth may find new peers outside the boundaries of their local community. They can also
find opportunities to publicize and distribute their work to online audiences, and to gain new forms of visibility and reputation. By exploring new interests, tinkering, and “messing around” with new forms of media, they acquire various forms of technical and media literacy.


New media allow for a degree of freedom and autonomy for youth that is less apparent in a classroom setting. Youth respect one another’s authority online, and they are often more motivated to learn from peers than from adults. Their efforts are also largely self-directed,exploration, in contrast to classroom learning that is oriented by set, predefined goals.

Youths’ participation in this networked world suggests new ways of thinking about the role of education.
Why all the doom and gloom?

Saturday, 27 February 2010

How do we know how far away the stars are?

This is a very common question. How would you answer it? If you are a school teacher, it is a useful excersise to ask the class to come up with ways to determine distances to nearby objects. If, on the other hand, you're too lazy to think about it, here are a couple of ways to do it.

1. For solar-system objects and relatively nearby stars, you can use the trigonometric parallax. What is parallax? For a quick demonstration, stretch out your arm, hold out your thumb upwards and close one eye. Then switch to the other eye and look at the thumb again. Even though your thumb is still, it looks like it's moving. This is because your eyes are a certain distance apart. Schematically, it looks like this:To measure the position of the star, we do the following: First, we take a photo of the area of the night sky we're interested in and measure the position of the star. Then we wait for half a year while the Earth rotates around the Sun. When the Earth is at the diametrically opposite position, we take another photo and measure the position of the star again. Because of this motion of the Earth around the Sun, stars that are too far away from us will have moved very little or not at all. But stars that are relatively close to us (up to around 40 light years) will appear to have moved more. Then, using the simple geometry shown in the diagram above, we can derive an estimate of the distance:
Distance to star = (Earth-Sun distance) / (parallax)

2. Parallax works for close-by stars, but what about really far away ones that don't seem to be moving at all? How can we get the distances to them? There are many other methods we can use and here's one of them: Main-Sequence fitting.

To explain how this method works, I'll need to introduce you to an old friend, the Hetrtzsprung-Russel diagram, shown below:

What this diagram shows is the evolution of the lives of stars. Based on many, many measurements, this is plot of the absolute brightness (also called luminosity or magnitude) of stars relative to their surface temperatures. I also need to explain the difference between absolute and apparent brightness, so let's do that first.

The light coming from a car's headlights when the car is far away will of course appear to be dimmer than if the car was closer. In other words, if you take two car headlights that are equally bright, but one is only half the distance away of the other, it will appear to be brighter. This is called
apparent brightness and it is used to describe how bright a star appears to us on Earth. On the other hand, absolute birghtness is used to describe how bright the star really is.

The temperature of the star is directly related to it's colour, so Red stars are cooler than Blue stars, which have surface temperatures of tens of thousands of degrees. Astronomers measure the colour of stars by taking observations at different wavelengths
(using different filters) and taking the ratio of the brightnesses. It turns out that this can be measured with great accuracy, so from that we can derive the temperature of the star, and using the information in the diagram above, we can find out the absolute brightness. Comparing this absolute brightness with the apparent brightness gives us a measure of the distance to the star. This method actually works for stars thousands of light years away!

This is by no means an exhaustive list of the methods used to determine distances to stars. To find out about some other
methods, check here.

Sunday, 23 August 2009

What is a radio image?


One of the great discoveries of the Renaissance was the theory of perspective. At the core of the theory is the realisation that a picture is a map of the directions from which light is coming as seen from a particular viewpoint. So every point on the canvas corresponds to a particular direction in space. The hue at each spot represents in colour and intensity the light arriving from the corresponding direction.

Now, colour is the eye's way of describing the spectrum of light; for instance, the colour blue tells us that the light coming from that direction contains a range of wavelengths in the visible band but is relatively strong at around 450 nm. Colour is actually a rather inaccurate measure of the spectrum; for instance, it is hard to tell a mixture of red and blue light (i.e. purple) from the very deep blue (i.e. violet). For technical work astronomers prefer to obtain a series of monochrome images through the use of coloured filters, much like the ones used in ordinary photography, so that each is a record of light with wavelengths within a specific narow band.

The astronomical B, V and R bands correspond roughly to the three basic colours, blue, green and red.
Combining the images in the different filters then allows astronomers to reconstruct a "false-colour" image of the observed object.Our images are then abstracted a futher step: the intensity of white light from our print (or computer monitor) is telling us about the insnsity of the red light on the sky.

There is no reason to restrict the wavelengths used to the tiny range that the human eye can detect. Visible light is just a tiny segment of the electromagnetic spectrum and with the appropriate technology we can make images, maps of "light" in a more general sense, at wavelengths far outside this familiar band; You are probably already familiar with such "invisible" colours like X-rays, ultraviolet, infrared and radio. In fact, the range of colours used by radio-astronomers would correspond to about twenty new colours (or bands) if we say that there are three basic ones in visible light! Fortunately, just as with monochrome images, we can use ordinary visible gray-scales to display these images of "invisible" light.


These composite images show M84, a massive elliptical galaxy in the Virgo Cluster, about 55 million light years from Earth. Radio data from the Very Large Array is shown in red. A background image from the Sloan Digital Sky Survey is shown in yellow and white.
(Credit: Radio (NSF/NRAO/VLA/ESO/R.A.Laing et al); Optical (SDSS))

The leftmost image is in radio wavelengths, the middle one in optical and the rightmost a combination of the two.

Friday, 21 August 2009

The Origin of Zero

The number zero as we know it arrived in the West circa 1200, most famously delivered by Italian mathematician Fibonacci (aka Leonardo of Pisa), who brought it, along with the rest of the Arabic numerals, back from his travels to north Africa. But the history of zero, both as a concept and a number, stretches far deeper into history—so deep, in fact, that its provenance is difficult to nail down.

"There are at least two discoveries, or inventions, of zero," says Charles Seife, author of Zero: The Biography of a Dangerous Idea (Viking, 2000). "The one that we got the zero from came from the Fertile Crescent." It first came to be between 400 and 300 B.C. in Babylon, Seife says, before developing in India, wending its way through northern Africa and, in Fibonacci's hands, crossing into Europe via Italy.

Initially, zero functioned as a mere placeholder—a way to tell 1 from 10 from 100, to give an example using Arabic numerals. "That's not a full zero," Seife says. "A full zero is a number on its own; it's the average of –1 and 1."

It began to take shape as a number, rather than a punctuation mark between numbers, in India in the fifth century A.D., says Robert Kaplan, author of The Nothing That Is: A Natural History of Zero (Oxford University Press, 2000). "It isn't until then, and not even fully then, that zero gets full citizenship in the republic of numbers," Kaplan says. Some cultures were slow to accept the idea of zero, which for many carried darkly magical connotations.

The second appearance of zero occurred independently in the New World, in Mayan culture, likely in the first few centuries A.D. "That, I suppose, is the most striking example of the zero being devised wholly from scratch," Kaplan says.

Kaplan pinpoints an even earlier emergence of a placeholder zero, a pair of angled wedges used by the Sumerians to denote an empty number column some 4,000 to 5,000 years ago.

But Seife is not certain that even a placeholder zero was in use so early in history. "I'm not entirely convinced," he says, "but it just shows it's not a clear-cut answer." He notes that the history of zero is too nebulous to clearly identify a lone progenitor. "In all the references I've read, there's always kind of an assumption that zero is already there," Seife says. "They're delving into it a little bit and maybe explaining the properties of this number, but they never claim to say, 'This is a concept that I'm bringing forth.'"

Kaplan's exploration of zero's genesis turned up a similarly blurred web of discovery and improvement. "I think there's no question that one can't claim it had a single origin," Kaplan says. "Wherever you're going to get placeholder notation, it's inevitable that you're going to need some way to denote absence of a number."

This article is by John Matson and appeared in the Scientific American (August 21, 2009)

Thursday, 23 July 2009

Wiring a web for global good

We're at a unique moment in history, says UK Prime Minister Gordon Brown: we can use today's interconnectedness to develop our shared global ethic -- and work together to confront the challenges of poverty, security, climate change and the economy.

Wednesday, 13 May 2009

The industry of science research in Britain

Science research in Britain is now all about turning knowledge into business, rather than the beauty of exploration
George Monbiot - The Guardian


Why is the Medical Research Council run by an arms manufacturer? Why is the Natural Environment Research Council run by the head of a construction company? Why is the chairman of a real estate firm in charge of higher education funding for England?

Because our universities are being turned into corporate research departments. No longer may they pursue knowledge for its own sake: the highest ambition to which they must aspire is finding better ways to make money.

Last month, unremarked by the media, a quiet intellectual revolution took place. The research councils, which provide 90% of the funding for acad­em­ic research, introduced a requirement for those seeking grants: they must describe the economic impact of the work they want to conduct. The councils define impact as the "demonstrable contribution" research can make to society and the economy. But how do you demonstrate the impact of blue skies research before it has been conducted?

The idea, the government says, is to transfer knowledge from the universities to industry, boosting the economy and helping to lift us out of recession. There's nothing wrong, in principle, with commercialising scientific discoveries. But imposing this condition on the pursuit of all knowledge does not enrich us; it impoverishes us, reducing the wonders of the universe to figures in an accountant's ledger.

Picture Charles Darwin trying to fill out his application form before embarking on the Beagle. "Explain how the research has the potential to impact on the nation's health, wealth or culture. For example: fostering global economic performance, and specifically the economic competitiveness of the United Kingdom … What are the realistic time­scales for the benefits to be realised?" If Darwin had been dependent on a grant from a British research council, he would never have set sail.

The government insists that nothing fundamental has changed; that the Haldane principle, which states that the government should not interfere in research decisions, still holds. Only the research councils, ministers say, should decide what gets funded.

All the chairs of the five research councils funding science, and of the three higher education funding councils (which provide core funding for universities), are or were senior corporate executives. These men are overseen by the minister for science and innovation, Lord Drayson. Before he became a minister, Paul Drayson was chief executive of the pharmaceutical company PowderJect. He was involved in a controversy that many feel symbolises the absence of effective barriers between government and commerce.

Drayson doubtless rubs along well with the chairman of the Medical Research Council, Sir John Chisholm. He founded a military software company before becoming head of the government's Defence Research Agency (DRA). He was in charge of turning it into the commercial company QinetiQ, through a privatisation process that was completed while Drayson was minister for defence procurement. During this process, Chisholm paid £129,000 for a stake in the company. The stake's value rose to £26m when QinetiQ was floated. A former managing director of the DRA described this as "greed of the highest order". Lord Gilbert, a former minister of defence procurement, remarked that "frankly the money made by the leading civil servants was obscene … They did not contribute anything to the turnaround of the company, it was the work of the research staff that made the difference." Chisholm remains chairman of QinetiQ. Is there anyone outside government who believes that these people should be overseeing scientific research in this country?

In March Drayson told the Royal Society that "the science budget is safe … there will be no retreat from pure ­science". A month later this promise was broken, when the budget transferred £106m from the research councils "to support key areas of economic potential": which means exchanges of staff and research with industry.

Science policy in the UK is now governed by the Sainsbury review, which the government says it will implement in full. It was written by the Labour donor, former science minister and former supermarket chief executive, Lord Sainsbury. The research councils, the review says, should "be measured against firm knowledge transfer targets" to show that they are turning enough science into business. They have been told to fund £120m of research in collaboration with industry. This has been topped up with £180m from the regional development agencies. The government is also spending £150m "to change the culture in universities: boosting the work they do with a whole range of businesses and increasing commercial activity". All this is another covert bailout, relieving companies of the need to fund their own research.

The economic impact summaries they now write ensure that all researchers will be aware that the business of universities is business. As the white paper points out, universities are already "providing incentives (for example promotion assessment)" to persuade researchers to engage with business. If your research doesn't make someone money, you're not likely to get very far.

Even judged by its own objectives, this policy makes no sense. The long-term health of the knowledge economy depends on blue skies research that answers only to itself: when scientists are free to pursue their passions they are more likely to make those serendipitous discoveries whose impacts on society and the economy are both vast and impossible to predict. Forced to collaborate with industry, they are more likely to pursue applications of existing knowledge than to seek to extend the frontiers of the known world.

Knowledge is not just about impacts. It is about wonder and insight and beauty. Much might never have an application, but it makes the world a richer place, in ways that the likes of Lord Drayson would struggle to perceive.

Thursday, 7 May 2009

High stakes, low finance

Chasing Alpha: How Reckless Growth and Unchecked Ambition Ruined the City's Golden Decade
by Philip Augar
272pp, Bodley Head, £20


Fool's Gold: How an Ingenious Tribe of Bankers Rewrote the Rules of Finance, Made a Fortune and Survived a Catastrophe
by Gillian Tett
352pp, Little, Brown, £18.99


Meltdown: The End of the Age of Greed
by Paul Mason
192pp, Verso, £7.99


The Crash of 2008 and What It Means: The New Paradigm for Financial Markets
by George Soros
288pp, Public Affairs, £9.99


Gordon Brown will not think it, but in the politics of credit crunch he is a lucky man. His speech at the Mansion House on Wednesday 20 June 2007, days before he took office as prime minister, is one of the greatest political and economic misjudgments among postwar politicians. Yet very few have read or even recollect it. But then his political opponents, outbidding him at the time in their slavish praise of the City, have even more embarrassing quotes on the record. They are hardly in a position to attack him.

"This is an era that history will record as a new golden age for the City of London," Brown intoned. "I want to thank all of you for what you are achieving." Just weeks later the financial catastrophe burst, creating the "great recession" and leaving the UK taxpayer with a one-sided exposure of £1.3 trillion in loans, investments, cash injections and guarantees to the banking system, of which over £100bn may be lost for ever. Brown went on to hymn the City's "creativity and ingenuity" that had enabled it to become a new world leader. In language so purple it could make a cardinal blush, he praised London's invention of "the most modern instruments of finance" - the very instruments that were to bring it and the western banking system down.

Invoking Adam Smith, Brown declaimed: "The message London's success sends out to the whole British economy is that we will succeed if, like London, we think globally ... and nurture the skills of the future, advance with light-touch regulation, a competitive tax environment and flexibility." He even managed to boast that, after financial and accounting scandals in the US such as those that brought down Enron and WorldCom, which led the American government to introduce new regulatory reforms, "many who advised me, including not a few newspapers, favoured a regulatory crackdown. I believe we were right not to go down that road."

The boastfulness, the wholesale endorsement of the philosophy that was to bring the world to the economic edge and the sheer ignorance are painful to read - tribute to the way the bankers completely pulled the wool over the eyes of the political and regulatory establishment in one of the greatest heists the world has witnessed. The IMF now calculates that there are $4.1 trillion of losses in the world financial system, less than half of which has been formally written off. Without massive government support, the scale of the banking collapse that would have followed such losses would have induced a global depression. Even as it is, world trade will this year decline by 9%. Alistair Darling's budget has already passed into legend as the most depressing since the war. The credit-crunch-ravaged, post-recession British economy will be unable to shoulder the size of the current British state. In the most challenging decade since 1945, a way has to be found of shrinking its size while still finding new ways to grow and alleviate mass unemployment.

It is a disaster, or, as BBC Newsnight's Paul Mason would have it, a financial Krakatoa. It is the economic and financial story of our times, and he, the Financial Times journalist Gillian Tett and financial author Philip Augar have all been inspired to write "crash" books. Each is gripping and revelatory, with sometimes breathtaking quotes or new facts, and each adds a different dimension to our understanding of the crisis. Their subtitles tell of greed, recklessness and catastrophe - and all three writers are as good as their promise. What has happened to finance and the financial system since London's Big Bang in 1986 is an astounding story of ideology, greed and lack of restraint - sanctioned by our politicians who, like Brown, marvelled at the apparent results without beginning to understand how they were achieved. Moreover, they built regulatory systems to suit the bankers' interests. You might have hoped that politicians of the left would have been savvier and more suspicious of the bankers' claims. One of the tragedies of New Labour is that the party leadership bought the story so completely - Brown becoming as much of a zealot for free-market financial innovation as the free-market fundamentalist neocon Alan Greenspan, whose knighthood he organised.

The books leave no doubt that it is the bankers and their greed who were the authors of the crisis. True, there were dollars spilling out of Asia and the Gulf in huge volumes in the 2000s, and low interest rates created an appetite for taking risks. But bankers seized the opportunity to lend unprecedented amounts on ever smaller amounts of capital, with the risk apparently abolished by the invention of new financial instruments and tradeable insurance contracts. This is Tett's original contribution. Her blow-by-blow story of how these were developed during the 1980s and 90s, and the motivations of those who did it, is an impressive piece of detective work. She pulls back the curtain on a closed, unaccountable world of finance - a "silo in its own right detached from society". My only cavil is that I wish she could have got as much access to top British bankers as she got to American ones, and in particular those in JP Morgan: her locus is too much New York.

That is made good by Philip Augar, a former investment banker who has made it his mission to reveal the systemic and destructive way that British finance works. He understands both the people and the processes - and Chasing Alpha is his best book yet. He even devotes a chapter to Brown's Mansion House speech. Together, he and Tett make it clear beyond peradventure that it was the structure of the financial system that created the havoc, and that it was firmly embedded in the intertwined London and New York markets from the 1980s onwards. Similar-scale dollar surpluses in the 1970s did not create such financial problems; but that was before the Thatcherite and neoconservative revolutions.

In 1933 Senators Glass and Steagall, prompted by Roosevelt, had sponsored the Glass-Steagall Act, prohibiting investment bankers betting deposits on the buying and selling of tradeable financial securities that can create huge losses. Banking and investment banking should be separate. For 50 years the act kept American banking honest. But after Mrs Thatcher decided in 1986 that banks could own stockbrokers and market-making stock jobbers in her new anything-could-go casino City of London - the "Big Bang" - American banks complained to the US central bank, the Federal Reserve, that they could do things in London not possible in New York. Paul Mason explains how in 1987 the Fed relaxed Glass-Steagall to allow 5% of a bank's deposits to be used for investment banking, further relaxed to 25% in 1996. The act's abolition in 1999, which opened the floodgates for today's financial catastrophe, was inevitable - even if it cost the banks $300m in lobbying fees.

Tett shows how the regulators rolled over in another core area. In the late 1990s they accepted the banks' argument that their alchemy in creating collateralised debt obligations (bundling up income-generating assets of varying quality into one security) and then insuring against the risk of default (credit default swaps) both merited the triple A credit scores the credit agencies were awarding and, crucially, needed less capital to stand behind them. By 2000 the stage was set for what was to follow: investment banks having balance sheets 30 times or more larger than their core capital, refinancing as much as a quarter of their trillions of dollars of liabilities every day from the so-called wholesale money markets, and lending/investing in a range of highly risky financial instruments. The system could not insure against its own systemic failure. It was an edifice built on sand: $1 trillion of sub-prime debt had been bundled into various categories of structured, tradeable debt; when American house prices began to crumble in 2007, the whole interlinked pyramid came crashing down.

Mason's first three chapters are a page-turning account of September and October of last year, when it did look as though the American and British financial systems were about to collapse - the fateful weekend in September when Lehman Brothers went bust and America's top insurance company AIG only survived courtesy of an $80bn loan, and later, in early October, when Britain's RBS and HBOS were hours away from implosion. Mason, I think correctly, emphasises the highly risky way some British commercial, and other, mortgage lenders had become reliant on the money markets to support their lending, so that RBS and HBOS were in an analogous position to the US investment banks Lehman and Bear Stearns, both of whom went bust. At the root of the crisis were the interaction of money market-financed balance sheets, too much consequential borrowing and the new "weapons of mass financial destruction".

Mason is refreshingly clear-eyed about the operation of today's finance-driven capitalism - and angry. It wasn't only that the banks and insurance companies campaigned to have the law changed to serve their interests with such disastrous results. Sometimes, as with AIG, they began to transgress the law. AIG admitted in 2005 that it had faked $500m of transactions to fool the auditors, and "misclassified" another $3bn to inflate its profits. I have no doubt that there are more instances that may never come to light. Britain has insured £585bn of bank loans. It is hard to believe that every penny of bad debt on such a scale was just honest misjudgment. Do we believe that the British were angels and the only frauds American?

George Soros, successful hedge fund entrepreneur and famous beneficiary of the pound's expulsion from the European Exchange Rate Mechanism, has been trying for decades to explain that the axioms of free-market economics do not apply to the financial markets. Brown and Greenspan were always wrong to believe that free financial markets would tend to optimal outcomes. Rather, markets feed on themselves, so that financial values have a permanent tendency to swing between boom and bust - they are never rational. The crash of 2008, Soros explains, was an accident waiting to happen. Recovery will require regulation that compels banks to carry more capital and lend more judiciously. But until the international financial system is fairer to the less-developed countries on "the periphery", the core of the world economy will always be at risk of being flooded by hot money fleeing from that risky periphery.

This quartet of books indict modern finance. They cannot be read without wishing for something different. Yet even now I am not sure that the politicians and officials get it. The support for British banks is disgracefully one-sided. The taxpayer will lose at least £50bn, if not £100bn, but there has been no concomitant willingness on the part of the bankers to restructure their business model - or accept that their pensions, bonuses and pay should be seriously qualified. They want to get back to the glory days, and if once in every 30 or 40 years the rest of us suffer recessions and a £100bn bill while they make personal fortunes - so be it. It is not a fair bargain. These books set out why, and how it could be changed.

• Will Hutton is executive vice-chair of the Work Foundation

Monday, 9 March 2009

The Four Horsemen - Hour 2



On the 30th of September 2007, Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens sat down for a first-of-its-kind, unmoderated 2-hour discussion, convened by RDFRS and filmed by Josh Timonen. In this conversation the group trades stories of the public’s reaction to their recent books, their unexpected successes, criticisms and common misrepresentations. This is Part 2 of the discussion. Click here for Part 1.

Monday, 2 March 2009

"What is Science?" - An invited talk by Richard Feynman

Richard Feyman was a nobel laureate and one of the greatest physicists of the 20th century. He was also a keen bongo player, a magnificent communicator and an amateur painter.

In this talk with humorous undertones and the rather unoriginal title "What is science" (the title wasn't his choice), he tries to infuse some of his bubbling enthusiasm into an excited audience of science teachers. It is a wonderfully inspiring talk for everyone interested in education practices.




-Presented at the fifteenth annual meeting of the National Science Teachers Association, 1966 in New York City.

What is Science?

I thank Mr. DeRose for the opportunity to join you science teachers. I also am a science teacher. I have much experience only in teaching graduate students in physics, and as a result of the experience I know that I don't know how to teach.

I am sure that you who are real teachers working at the bottom level of this hierarchy of teachers, instructors of teachers, experts on curricula, also are sure that you, too, don't know how to do it; otherwise you wouldn't bother to come to the convention.

The subject "What Is Science" is not my choice. It was Mr. DeRose's subject. But I would like to say that I think that "what is science" is not at all equivalent to "how to teach science," and I must call that to your attention for two reasons. In the first place, from the way that I am preparing to give this lecture, it may seem that I am trying to tell you how to teach science--I am not at all in any way, because I don't know anything about small children. I have one, so I know that I don't know. The other is I think that most of you (because there is so much talk and so many papers and so many experts in the field) have some kind of a feeling of lack of self-confidence. In some way you are always being lectured on how things are not going too well and how you should learn to teach better. I am not going to berate you for the bad work you are doing and indicate how it can definitely be improved; that is not my intention.

As a matter of fact, we have very good students coming into Caltech, and during the years we found them getting better and better. Now how it is done, I don't know. I wonder if you know. I don't want to interfere with the system; it is very good.

Only two days ago we had a conference in which we decided that we don't have to teach a course in elementary quantum mechanics in the graduate school any more. When I was a student, they didn't even have a course in quantum mechanics in the graduate school; it was considered too difficult a subject. When I first started to teach, we had one. Now we teach it to undergraduates. We discover now that we don't have to have elementary quantum mechanics for graduates from other schools. Why is it getting pushed down? Because we are able to teach better in the university, and that is because the students coming up are better trained.

What is science? Of course you all must know, if you teach it. That's common sense. What can I say? If you don't know, every teacher's edition of every textbook gives a complete discussion of the subject. There is some kind of distorted distillation and watered-down and mixed-up words of Francis Bacon from some centuries ago, words which then were supposed to be the deep philosophy of science. But one of the greatest experimental scientists of the time who was really doing something, William Harvey, said that what Bacon said science was, was the science that a lord-chancellor would do. He [Bacon] spoke of making observations, but omitted the vital factor of judgment about what to observe and what to pay attention to.

And so what science is, is not what the philosophers have said it is, and certainly not what the teacher editions say it is. What it is, is a problem which I set for myself after I said I would give this talk.

After some time, I was reminded of a little poem:

A centipede was happy quite, until a toad in fun
Said, "Pray, which leg comes after which?"
This raised his doubts to such a pitch
He fell distracted in the ditch
Not knowing how to run.

All my life, I have been doing science and known what it was, but what I have come to tell you--which foot comes after which--I am unable to do, and furthermore, I am worried by the analogy in the poem that when I go home I will no longer be able to do any research.

There have been a lot of attempts by the various press reporters to get some kind of a capsule of this talk; I prepared it only a little time ago, so it was impossible; but I can see them all rushing out now to write some sort of headline which says: "The Professor called the President of NSTA a toad."

Under these circumstances of the difficulty of the subject, and my dislike of philosophical exposition, I will present it in a very unusual way. I am just going to tell you how I learned what science is.

That's a little bit childish. I learned it as a child. I have had it in my blood from the beginning. And I would like to tell you how it got in. This sounds as though I am trying to tell you how to teach, but that is not my intention. I'm going to tell you what science is like by how I learned what science is like.

My father did it to me. When my mother was carrying me, it is reported--I am not directly aware of the conversation--my father said that "if it's a boy, he'll be a scientist." How did he do it? He never told me I should be a scientist. He was not a scientist; he was a businessman, a sales manager of a uniform company, but he read about science and loved it.

When I was very young--the earliest story I know--when I still ate in a high chair, my father would play a game with me after dinner.

He had brought a whole lot of old rectangular bathroom floor tiles from some place in Long Island City. We sat them up on end, one next to the other, and I was allowed to push the end one and watch the whole thing go down. So far, so good.

Next, the game improved. The tiles were different colors. I must put one white, two blues, one white, two blues, and another white and then two blues--I may want to put another blue, but it must be a white. You recognize already the usual insidious cleverness; first delight him in play, and then slowly inject material of educational value.

Well, my mother, who is a much more feeling woman, began to realize the insidiousness of his efforts and said, "Mel, please let the poor child put a blue tile if he wants to." My father said, "No, I want him to pay attention to patterns. It is the only thing I can do that is mathematics at this earliest level." If I were giving a talk on "what is mathematics," I would already have answered you. Mathematics is looking for patterns. (The fact is that this education had some effect. We had a direct experimental test, at the time I got to kindergarten. We had weaving in those days. They've taken it out; it's too difficult for children. We used to weave colored paper through vertical strips and make patterns. The kindergarten teacher was so amazed that she sent a special letter home to report that this child was very unusual, because he seemed to be able to figure out ahead of time what pattern he was going to get, and made amazingly intricate patterns. So the tile game did do something to me.)

...

Another thing that my father told me--and I can't quite explain it, because it "was more an emotion than a telling--was that the ratio of the circumference to the diameter of all circles was always the same, no matter what the size. That didn't seem to me too unobvious, but the ratio had some marvelous property. That was a wonderful number, a deep number, pi. There was a mystery about this number that I didn't quite understand as a youth, but this was a great thing, and the result was that I looked for pi everywhere.

When I was learning later in school how to make the decimals for fractions, and how to make 3 1/8, 1 wrote 3.125 and, thinking I recognized a friend, wrote that it equals pi, the ratio of circumference to diameter of a circle. The teacher corrected it to 3.1416.

I illustrate these things to show an influence. The idea that there is a mystery, that there is a wonder about the number was important to me--not what the number was. Very much later, when I was doing experiments in the laboratory--I mean my own home laboratory, fiddling around--no, excuse me, I didn't do experiments, I never did; I just fiddled around. Gradually, through books and manuals, I began to discover there were formulas applicable to electricity in relating the current and resistance, and so on. One day, looking at the formulas in some book or other, I discovered a formula for the frequency of a resonant circuit.

[?Something missing here] which was f = 1/2 pi LC, where L is the inductance and C the capacitance of the circle? You laugh, but I was very serious then. Pi was a thing with circles, and here is pi coming out of an electric circuit. Where was the circle? Do those of you who laughed know how that comes about?

I have to love the thing. I have to look for it. I have to think about it. And then I realized, of course, that the coils are made in circles. About a half year later, I found another book which gave the inductance of round coils and square coils, and there were other pi's in those formulas. I began to think about it again, and I realized that the pi did not come from the circular coils. I understand it better now; but in my heart I still don't know where that circle is, where that pi comes from.

When I was still pretty young--I don't know how old exactly--I had a ball in a wagon I was pulling, and I noticed something, so I ran up to my father to say that "When I pull the wagon, the ball runs to the back, and when I am running with the wagon and stop, the ball runs to the front. Why?"

How would you answer?

He said, "That, nobody knows." He said, "It's very general, though, it happens all the time to anything; anything that is moving tends to keep moving; anything standing still tries to maintain that condition. If you look close you will see the ball does not run to the back of the wagon where you start from standing still. It moves forward a bit too, but not as fast as the wagon. The back of the wagon catches up with the ball, which has trouble getting started moving. It's called inertia, that principle." I did run back to check, and sure enough, the ball didn't go backwards. He put the difference between what we know and what we call it very distinctly.

Regarding this business about names and words, I would tell you another story. 'We used to go up to the Catskill Mountains for vacations. In New York, you go the Catskill Mountains for vacations. The poor husbands had to go to work during the week, but they would come rushing out for weekends and stay with their families. On the weekends, my father would take me for walks in the woods. He often took me for walks, and we learned all about nature, and so an, in the process. But the other children, friends of mine also wanted to go, and tried to get my father to take them. He didn't want to, because he said I was more advanced. I'm not trying to tell you how to teach, because what my father was doing was with a class of just one student; if he had a class of more than one, he was incapable of doing it.

So we went alone for our walk in the woods. But mothers were very powerful in those day's as they are now, and they convinced the other fathers that they had to take their own sons out for walks in the woods. So all fathers took all sons out for walks in the woods one Sunday afternoon. The next day, Monday, we were playing in the fields and this boy said to me, "See that bird standing on the stump there? What's the name of it?"

I said, "I haven't got the slightest idea."

He said, 'It’s a brown-throated thrush. Your father doesn't teach you much about science."

I smiled to myself, because my father had already taught me that [the name] doesn't tell me anything about the bird. He taught me "See that bird? It's a brown-throated thrush, but in Germany it's called a halsenflugel, and in Chinese they call it a chung ling and even if you know all those names for it, you still know nothing about the bird--you only know something about people; what they call that bird. Now that thrush sings, and teaches its young to fly, and flies so many miles away during the summer across the country, and nobody knows how it finds its way," and so forth. There is a difference between the name of the thing and what goes on.

The result of this is that I cannot remember anybody's name, and when people discuss physics with me they often are exasperated when they say "the Fitz-Cronin effect," and I ask "What is the effect?" and I can't remember the name.

I would like to say a word or two--may I interrupt my little tale--about words and definitions, because it is necessary to learn the words.

It is not science. That doesn't mean, just because it is not science, that we don't have to teach the words. We are not talking about what to teach; we are talking about what science is. It is not science to know how to change Centigrade to Fahrenheit. It's necessary, but it is not exactly science. In the same sense, if you were discussing what art is, you wouldn't say art is the knowledge of the fact that a 3-B pencil is softer than a 2-H pencil. It's a distinct difference. That doesn't mean an art teacher shouldn't teach that, or that an artist gets along very well if he doesn't know that. (Actually, you can find out in a minute by trying it; but that's a scientific way that art teachers may not think of explaining.)

In order to talk to each other, we have to have words, and that's all right. It's a good idea to try to see the difference, and it's a good idea to know when we are teaching the tools of science, such as words, and when we are teaching science itself.

To make my point still clearer, I shall pick out a certain science book to criticize unfavorably, which is unfair, because I am sure that with little ingenuity, I can find equally unfavorable things to say about others. There is a first grade science book which, in the first lesson of the first grade, begins in an unfortunate manner to teach science, because it starts off an the wrong idea of what science is. There is a picture of a dog--a windable toy dog--and a hand comes to the winder, and then the dog is able to move. Under the last picture, it says "What makes it move?" Later on, there is a picture of a real dog and the question, "What makes it move?" Then there is a picture of a motorbike and the question, "What makes it move?" and so on.

I thought at first they were getting ready to tell what science was going to be about--physics, biology, chemistry--but that wasn't it. The answer was in the teacher's edition of the book: the answer I was trying to learn is that "energy makes it move."

Now, energy is a very subtle concept. It is very, very difficult to get right. What I meant is that it is not easy to understand energy well enough to use it right, so that you can deduce something correctly using the energy idea--it is beyond the first grade. It would be equally well to say that "God makes it move," or "spirit makes it move," or "movability makes it move." (In fact, one could equally well say "energy makes it stop.")

Look at it this way: that’s only the definition of energy; it should be reversed. We might say when something can move that it has energy in it, but not what makes it move is energy. This is a very subtle difference. It's the same with this inertia proposition.

Perhaps I can make the difference a little clearer this way: If you ask a child what makes the toy dog move, you should think about what an ordinary human being would answer. The answer is that you wound up the spring; it tries to unwind and pushes the gear around.

What a good way to begin a science course! Take apart the toy; see how it works. See the cleverness of the gears; see the ratchets. Learn something about the toy, the way the toy is put together, the ingenuity of people devising the ratchets and other things. That's good. The question is fine. The answer is a little unfortunate, because what they were trying to do is teach a definition of what is energy. But nothing whatever is learned.

Suppose a student would say, "I don't think energy makes it move." Where does the discussion go from there?

I finally figured out a way to test whether you have taught an idea or you have only taught a definition.

Test it this way: you say, "Without using the new word which you have just learned, try to rephrase what you have just learned in your own language." Without using the word "energy," tell me what you know now about the dog's motion." You cannot. So you learned nothing about science. That may be all right. You may not want to learn something about science right away. You have to learn definitions. But for the very first lesson, is that not possibly destructive?

I think for lesson number one, to learn a mystic formula for answering questions is very bad. The book has some others: "gravity makes it fall;" "the soles of your shoes wear out because of friction." Shoe leather wears out because it rubs against the sidewalk and the little notches and bumps on the sidewalk grab pieces and pull them off. To simply say it is because of friction, is sad, because it's not science.

My father dealt a little bit with energy and used the term after I got a little bit of the idea about it. What he would have done I know, because he did in fact essentially the same thing--though not the same example of the toy dog. He would say, "It moves because the sun is shining," if he wanted to give the same lesson.

I would say, "No. What has that to do with the sun shining? It moved because I wound up the springs."

"And why, my friend, are you able to move to wind up the spring?"

"I eat."

"What, my friend, do you eat?"

"I eat plants."

"And how do they grow?"

"They grow because the sun is shining."

And it is the same with the [real] dog.

What about gasoline? Accumulated energy of the sun, which is captured by plants and preserved in the ground. Other examples all end with the sun. And so the same idea about the world that our textbook is driving at is phrased in a very exciting way.

All the things that we see that are moving, are moving because the sun is shining. It does explain the relationship of one source of energy to another, and it can be denied by the child. He could say, "I don't think it is on account of the sun shining," and you can start a discussion. So there is a difference. (Later I could challenge him with the tides, and what makes the earth turn, and have my hand on mystery again.)

That is just an example of the difference between definitions (which are necessary) and science. The only objection in this particular case was that it was the first lesson. It must certainly come in later, telling you what energy is, but not to such a simple question as "What makes a [toy] dog move?" A child should be given a child's answer. "Open it up; let's look at it."

During those walks in the woods, I learned a great deal. In the case of birds, for example, I already mentioned migration, but I will give you another example of birds in the woods. Instead of naming them, my father would say, "Look, notice that the bird is always pecking in its feathers. It pecks a lot in its feathers. Why do you think it pecks the feathers?"

I guessed it's because the feathers are ruffled, and he's trying to straighten them out. He said, "Okay, when would the feathers get ruffled, or how would they get ruffled?"

"When he flies. When he walks around, it's okay; but when he flies it ruffles the feathers."

Then he would say, "You would guess then when the bird just landed he would have to peck more at his feathers than after he has straightened them out and has just been walking around the ground for a while. Okay, let's look."

So we would look, and we would watch, and it turned out, as far as I could make out, that the bird pecked about as much and as often no matter how long he was walking an the ground and not just directly after flight.

So my guess was wrong, and I couldn't guess the right reason. My father revealed the reason.

It is that the birds have lice. There is a little flake that comes off the feather, my father taught me, stuff that can be eaten, and the louse eats it. And then an the loose, there is a little bit of wax in the joints between the sections of the leg that oases out, and there is a mite that lives in there that can eat that wax. Now the mite has such a good source of food that it doesn't digest it too well, so from the rear end there comes a liquid that has too much sugar, and in that sugar lives a tiny creature, etc.

The facts are not correct; the spirit is correct. First, I learned about parasitism, one on the other, on the other, on the other. Second, he went on to say that in the world whenever there is any source of something that could be eaten to make life go, some form of life finds a way to make use of that source; and that each little bit of left over stuff is eaten by something.

Now the point of this is that the result of observation, even if I were unable to come to the ultimate conclusion, was a wonderful piece of gold, with marvelous results. It was something marvelous.

Suppose I were told to observe, to make a list, to write down, to do this, to look, and when I wrote my list down, it was filed with 130 other lists in the back of a notebook. I would learn that the result of observation is relatively dull, that nothing much comes of it.

I think it is very important--at least it was to me--that if you are going to teach people to make observations, you should show that something wonderful can come from them. I learned then what science was about: it was patience. If you looked, and you watched, and you paid attention, you got a great reward from it--although possibly not every time. As a result, when I became a more mature man, I would painstakingly, hour after hour, for years, work on problems--sometimes many years, sometimes shorter times; many of them failing, lots of stuff going into the wastebasket--but every once in a while there was the gold of a new understanding that I had learned to expect when I was a kid, the result of observation. For I did not learn that observation was not worthwhile.

Incidentally, in the forest we learned other things. We would go for walks and see all the regular things, and talk about many things: about the growing plants, the struggle of the trees for light, how they try to get as high as they can, and to solve the problem of getting water higher than 35 or 40 feet, the little plants on the ground that look for the little bits of light that come through all that growth, and so forth.

One day, after we had seen all this, my father took me to the forest again and said, "In all this time we have been looking at the forest we have only seen half of what is going on, exactly half."

I said, "What do you mean?"

He said, "We have been looking at how all these things grow; but for each bit of growth, there must be the same amount of decay--otherwise, the materials would be consumed forever: dead trees would lie there, having used up all the stuff from the air and the ground, and it wouldn't get back into the ground or the air, so nothing else could grow because there is no material available. There must be for each bit of growth exactly the same amount of decay."

There then followed many walks in the woods during which we broke up old stumps, saw frizzy bags and funguses growing; he couldn’t show me bacteria, but we saw the softening effects, and so on. I saw the forest as a process of the constant turning of materials.

There were many such things, descriptions of things, in odd ways. He often started to talk about things like this: "Suppose a man from Mars were to come down and look at the world." For example, when I was playing with my electric trains, he told me that there is a great wheel being turned by water which is connected by filaments of copper, which spread out and spread out and spread out in all directions; and then there are little wheels, and all those little wheels turn when the big wheel turns. The relation between them is only that there is copper and iron, nothing else--no moving parts. You turn one wheel here, and all the little wheels all over the place turn, and your train is one of them. It was a wonderful world my father told me about.

You might wonder what he got out of it all. I went to MIT. I went to Princeton. I came home, and he said, "Now you've got a science education. I have always wanted to know something that I have never understood, and so, my son, I want you to explain it to me."

I said yes.

He said, "I understand that they say that light is emitted from an atom when it goes from one state to another, from an excited state to a state of lower energy.

I said, "That's right."

"And light is a kind of particle, a photon, I think they call it."

"Yes."

"So if the photon comes out of the atom when it goes from the excited to the lower state, the photon must have been in the atom in the excited state."

I said, "Well, no."

He said, "Well, how do you look at it so you can think of a particle photon coming out without it having been in there in the excited state?"

I thought a few minutes, and I said, "I'm sorry; I don't know. I can't explain it to you."

He was very disappointed after all these years and years of trying to teach me something, that it came out with such poor results.

What science is, I think, may be something like this: There was on this planet an evolution of life to a stage that there were evolved animals, which are intelligent. I don't mean just human beings, but animals which play and which can learn something from experience--like cats. But at this stage each animal would have to learn from its own experience. They gradually develop, until some animal could learn from experience more rapidly and could even learn from another’s experience by watching, or one could show the other, or he saw what the other one did. So there came a possibility that all might learn it, but the transmission was inefficient and they would die, and maybe the one who learned it died, too, before he could pass it on to others.

The question is: is it possible to learn more rapidly what somebody learned from some accident than the rate at which the thing is being forgotten, either because of bad memory or because of the death of the learner or inventors?

So there came a time, perhaps, when for some species the rate at which learning was increased, reached such a pitch that suddenly a completely new thing happened: things could be learned by one individual animal, passed on to another, and another fast enough that it was not lost to the race. Thus became possible an accumulation of knowledge of the race.

This has been called time-binding. I don't know who first called it this. At any rate, we have here [in this hall] some samples of those animals, sitting here trying to bind one experience to another, each one trying to learn from the other.

This phenomenon of having a memory for the race, of having an accumulated knowledge passable from one generation to another, was new in the world--but it had a disease in it: it was possible to pass on ideas which were not profitable for the race. The race has ideas, but they are not necessarily profitable.

So there came a time in which the ideas, although accumulated very slowly, were all accumulations not only of practical and useful things, but great accumulations of all types of prejudices, and strange and odd beliefs.

Then a way of avoiding the disease was discovered. This is to doubt that what is being passed from the past is in fact true, and to try to find out ab initio again from experience what the situation is, rather than trusting the experience of the past in the form in which it is passed down. And that is what science is: the result of the discovery that it is worthwhile rechecking by new direct experience, and not necessarily trusting the [human] race['s] experience from the past. I see it that way. That is my best definition.

I would like to remind you all of things that you know very well in order to give you a little enthusiasm. In religion, the moral lessons are taught, but they are not just taught once, you are inspired again and again, and I think it is necessary to inspire again and again, and to remember the value of science for children, for grown-ups, and everybody else, in several ways; not only [so] that we will become better citizens, more able to control nature and so on.

There are other things.

There is the value of the worldview created by science. There is the beauty and the wonder of the world that is discovered through the results of these new experiences. That is to say, the wonders of the content which I just reminded you of; that things move because the sun is shining. (Yet, not everything moves because the sun is shining. The earth rotates independent of the sun shining, and the nuclear reaction recently produced energy on the earth, a new source. Probably volcanoes are generally moved from a source different from the shining sun.)

The world looks so different after learning science. For example, trees are made of air, primarily. When they are burned, they go back to air, and in the flaming heat is released the flaming heat of the sun which was bound in to convert the air into tree, and in the ash is the small remnant of the part which did not come from air that came from the solid earth, instead. These are beautiful things, and the content of science is wonderfully full of them. They are very inspiring, and they can be used to inspire others.

Another of the qualities of science is that it teaches the value of rational thought as well as the importance of freedom of thought; the positive results that come from doubting that the lessons are all true. You must here distinguish--especially in teaching--the science from the forms or procedures that are sometimes used in developing science. It is easy to say, "We write, experiment, and observe, and do this or that." You can copy that form exactly. But great religions are dissipated by following form without remembering the direct content of the teaching of the great leaders. In the same way, it is possible to follow form and call it science, but that is pseudo-science. In this way, we all suffer from the kind of tyranny we have today in the many institutions that have come under the influence of pseudoscientific advisers.

We have many studies in teaching, for example, in which people make observations, make lists, do statistics, and so on, but these do not thereby become established science, established knowledge. They are merely an imitative form of science analogous to the South Sea Islanders' airfields--radio towers, etc., made out of wood. The islanders expect a great airplane to arrive. They even build wooden airplanes of the same shape as they see in the foreigners' airfields around them, but strangely enough, their wood planes do not fly. The result of this pseudoscientific imitation is to produce experts, which many of you are. [But] you teachers, who are really teaching children at the bottom of the heap, can maybe doubt the experts. As a matter of fact, I can also define science another way: Science is the belief in the ignorance of experts.

When someone says, "Science teaches such and such," he is using the word incorrectly. Science doesn't teach anything; experience teaches it. If they say to you, "Science has shown such and such," you might ask, "How does science show it? How did the scientists find out? How? What? Where?"

It should not be "science has shown" but "this experiment, this effect, has shown." And you have as much right as anyone else, upon hearing about the experiments--but be patient and listen to all the evidence--to judge whether a sensible conclusion has been arrived at.

In a field which is so complicated [as education] that true science is not yet able to get anywhere, we have to rely on a kind of old-fashioned wisdom, a kind of definite straightforwardness. I am trying to inspire the teacher at the bottom to have some hope and some self-confidence in common sense and natural intelligence. The experts who are leading you may be wrong.

I have probably ruined the system, and the students that are coming into Caltech no longer will be any good. I think we live in an unscientific age in which almost all the buffeting of communications and television--words, books, and so on--are unscientific. As a result, there is a considerable amount of intellectual tyranny in the name of science.

Finally, with regard to this time-binding, a man cannot live beyond the grave. Each generation that discovers something from its experience must pass that on, but it must pass that on with a delicate balance of respect and disrespect, so that the [human] race--now that it is aware of the disease to which it is liable--does not inflict its errors too rigidly on its youth, but it does pass on the accumulated wisdom, plus the wisdom that it may not be wisdom.

It is necessary to teach both to accept and to reject the past with a kind of balance that takes considerable skill. Science alone of all the subjects contains within itself the lesson of the danger of belief in the infallibility of the greatest teachers of the preceding generation.

So carry on. Thank you.

-R Feynman

Friday, 27 February 2009

Astrobiology and the Origins of Life

In this lecture, Prof.David Beamer, introduces the subject of Astrobiology to new university students and talks about the chemistry of stars and the interstellar medium, how heavier elements form in the stars and get scattered in space when these end their life-cycles. Beyond the astronomy, a large part of the lecture is about the chemistry of life and the necessary ingredients for it's emergence.

Monday, 16 February 2009

David Merrill: Siftables, the toy blocks that think

Is this the new LEGO for the digital age? The primary concept is terrific though generation 2.0 would certainly benefit from a z-axis.

Sunday, 15 February 2009

The Four Horsemen - Hour 1

"On the 30th of September 2007, Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens sat down for a first-of-its-kind, unmoderated 2-hour discussion, convened by RDFRS and filmed by Josh Timonen.

All four authors have recently received a large amount of media attention for their writings against religion - some positive, and some negative. In this conversation the group trades stories of the public's reaction to their recent books, their unexpected successes, criticisms and common misrepresentations. They discuss the tough questions about religion that face the world today, and propose new strategies for going forward."

Saturday, 7 February 2009